Mary Lim

Tuesday, September 02, 2014

t3: 10 poems

Design Methodology:
oscillating, ritualistic, impulsive, technical

Stein wrote in such a way where the author and reader meet in the middle. In other words, Stein does not force any emotion or concept upon the reader (besides the titles of each poem), and completely opens the poem to interpretation. I wanted to preserve this aspect of her work, and design in such a way where the viewer can still instill their own analysis. Stein achieves this relationship between writer and reader through oscillating in and out of obscurity and clarity. The meanings the reader may detect, "rise, gain momentum, then drown one after the other in a sea of untenable undecidability... (jstor journal)." While her work describes the "essence" of something, the reader is left to guide themselves in the dark of her impulsive writings. For this reason, I chose to pick 10 poems that imply a manipulation of space and matter, be it a box, the center of the table, releasing something, etc. 

I'm focusing on the deterioration of meaning through oscillating in and out of obscurity, creating a continuous present.

Things I will consider in each design:
-how writer and reader meet in the middle, in terms of analysis
-oscillating in and out of obscurity / meaning is wasting away, but also regenerating
-stream of consciousness --> stein's writings seem impulsive, sporadic
-stein's description of the "essence" of something rather than its physical traits or characteristics it has
-continuous present


< I want to make my end product to look something like that. Paperback, very thin cover with perhaps a thin, colored sleeve. I want it to have a raw, stripped-down appearance.  I also want the book binding design to surprise the viewer at every page turn. 

< off-white pages, but most of the book will be white and crisp-looking







TEN POEMS

BOOK. 

Book was there, it was there. Book was there. Stop it, stop it, it was a cleaner, a wet cleaner and it was not where it was wet, it was not high, it was directly placed back, not back again, back it was returned, it was needless, it put a bank, a bank when, a bank care. 

Suppose a man a realistic expression of resolute reliability suggests pleasing itself white all white and no head does that mean soap. It does not so. It means kind wavers and little chance to beside beside rest. A plain. 

Suppose ear rings, that is one way to breed, breed that. Oh chance to say, oh nice old pole. Next best and nearest a pillar. Chest not valuable, be papered. 

Cover up cover up the two with a little piece of string and hope rose and green, green. 

Please a plate, put a match to the seam and really then really then, really then it is a remark that joins many many lead games. It is a sister and sister and a flower and a flower and a dog and a colored sky a sky colored grey and nearly that nearly that let. 


A BOX. 

Out of kindness comes redness and out of rudeness comes rapid same question, out of an eye comes research, out of selection comes painful cattle. So then the order is that a white way of being round is something suggesting a pin and is it disappointing, it is not, it is so rudimentary to be analysed and see a fine substance strangely, it is so earnest to have a green point not to red but to point again. 


A SUBSTANCE IN A CUSHION. 

The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable. 

Callous is something that hardening leaves behind what will be soft if there is a genuine interest in there being present as many girls as men. Does this change. It shows that dirt is clean when there is a volume. 

A cushion has that cover. Supposing you do not like to change, supposing it is very clean that there is no change in appearance, supposing that there is regularity and a costume is that any the worse than an oyster and an exchange. Come to season that is there any extreme use in feather and cotton. Is there not much more joy in a table and more chairs and very likely roundness and a place to put them. 

A circle of fine card board and a chance to see a tassel. 

What is the use of a violent kind of delightfulness if there is no pleasure in not getting tired of it. The question does not come before there is a quotation. In any kind of place there is a top to covering and it is a pleasure at any rate there is some venturing in refusing to believe nonsense. It shows what use there is in a whole piece if one uses it and it is extreme and very likely the little things could be dearer but in any case there is a bargain and if there is the best thing to do is to take it away and wear it and then be reckless be reckless and resolved on returning gratitude. 

Light blue and the same red with purple makes a change. It shows that there is no mistake. Any pink shows that and very likely it is reasonable. Very likely there should not be a finer fancy present. Some increase means a calamity and this is the best preparation for three and more being together. A little calm is so ordinary and in any case there is sweetness and some of that. 

A seal and matches and a swan and ivy and a suit. 

A closet, a closet does not connect under the bed. The band if it is white and black, the band has a green string. A sight a whole sight and a little groan grinding makes a trimming such a sweet singing trimming and a red thing not a round thing but a white thing, a red thing and a white thing. 

The disgrace is not in carelessness nor even in sewing it comes out out of the way. 

What is the sash like. The sash is not like anything mustard it is not like a same thing that has stripes, it is not even more hurt than that, it has a little top. 


A BOX. 

A large box is handily made of what is necessary to replace any substance. Suppose an example is necessary, the plainer it is made the more reason there is for some outward recognition that there is a result. 

A box is made sometimes and them to see to see to it neatly and to have the holes stopped up makes it necessary to use paper. 

A custom which is necessary when a box is used and taken is that a large part of the time there are three which have different connections. The one is on the table. The two are on the table. The three are on the table. The one, one is the same length as is shown by the cover being longer. The other is different there is more cover that shows it. The other is different and that makes the corners have the same shade the eight are in singular arrangement to make four necessary. 

Lax, to have corners, to be lighter than some weight, to indicate a wedding journey, to last brown and not curious, to be wealthy, cigarettes are established by length and by doubling. 

Left open, to be left pounded, to be left closed, to be circulating in summer and winter, and sick color that is grey that is not dusty and red shows, to be sure cigarettes do measure an empty length sooner than a choice in color. 

Winged, to be winged means that white is yellow and pieces pieces that are brown are dust color if dust is washed off, then it is choice that is to say it is fitting cigarettes sooner than paper. 

An increase why is an increase idle, why is silver cloister, why is the spark brighter, if it is brighter is there any result, hardly more than ever. 


A FRIGHTFUL RELEASE. 

A bag which was left and not only taken but turned away was not found. The place was shown to be very like the last time. A piece was not exchanged, not a bit of it, a piece was left over. The rest was mismanaged. 


MORE. 

An elegant use of foliage and grace and a little piece of white cloth and oil. 

Wondering so winningly in several kinds of oceans is the reason that makes red so regular and enthusiastic. The reason that there is more snips are the same shining very colored rid of no round color. 


A TABLE. 

A table means does it not my dear it means a whole steadiness. Is it likely that a change. 

A table means more than a glass even a looking glass is tall. A table means necessary places and a revision a revision of a little thing it means it does mean that there has been a stand, a stand where it did shake. 


A CENTRE IN A TABLE. 

It was a way a day, this made some sum. Suppose a cod liver a cod liver is an oil, suppose a cod liver oil is tunny, suppose a cod liver oil tunny is pressed suppose a cod liver oil tunny pressed is china and secret with a bestow a bestow reed, a reed to be a reed to be, in a reed to be. 

Next to me next to a folder, next to a folder some waiter, next to a foldersome waiter and re letter and read her. Read her with her for less.


ROOMS 

A light in the moon the only light is on Sunday. What was the sensible decision. The sensible decision was that notwithstanding many declarations and more music, not even notwithstanding the choice and a torch and a collection, notwithstanding the celebrating hat and a vacation and even more noise than cutting, notwithstanding Europe and Asia and being overbearing, not even notwithstanding an elephant and a strict occasion, not even withstanding more cultivation and some seasoning, not even with drowning and with the ocean being encircling, not even with more likeness and any cloud, not even with terrific sacrifice of pedestrianism and a special resolution, not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong, the care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness, all this makes a magnificent asparagus, and also a fountain.


CUPS. 

A single example of excellence is in the meat. A bent stick is surging and might all might is mental. A grand clothes is searching out a candle not that wheatly not that by more than an owl and a path. A ham is proud of cocoanut. 

A cup is neglected by being all in size. It is a handle and meadows and sugar any sugar. 

A cup is neglected by being full of size. It shows no shade, in come little wood cuts and blessing and nearly not that not with a wild bought in, not at all so polite, not nearly so behind. 

Cups crane in. They need a pet oyster, they need it so hoary and nearly choice. The best slam is utter. Nearly be freeze. 

Why is a cup a stir and a behave. Why is it so seen. 

A cup is readily shaded, it has in between no sense that is to say music, memory, musical memory. 

Peanuts blame, a half sand is holey and nearly. 



END OF SUMMER. 

Little eyelets that have hammer and a check with stripes between a lounge, in wit, in a rested development. 



 


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